Dance Angguk which later became typical regional dances Kulonprogo, derived from the Dance Dolalak in Purworejo. Brought in and start living in Kulonprogo in 1950. At first the dance performed by men, new in 1970 initiated the group nod Princess. Number of dancers nod between 12 to 20 dancers. But often also less than 12 dancers or more than 20 dancers. Officers dressed as Dutch-style uniforms, shorts, long sleeves with a decorative colored old gold color. Hat and long socks, no shoes. Musical instrument consisting of: Kendang, Saron, flying, Bedhug, Bas, and Key Bord. In general Angguk stage is divided into several rounds, each round there are 3 parts. The first stage is like a display case, all the dancers perform on the stage, holding the potential and appeal group nod in question, through costumes, movement flexibility, compactness, blocking, musical accompaniment and the ability of individual dancers.
The typical accompaniment sing nod to invoke spirits. Although still in the frame group, the dancers began preoccupied with himself, into the rhythm away, the more dynamic movements, until at the climax of one or more dancers experience trance or possessed by the spirit, marked by wearing sunglasses. While others sit, trance dancers continue to dance, with free movement of individuals, explosive and erotic. Occasionally he asked for water and roses or offerings are provided. When the spirit will leave the dancers, there is a special song to accompany the departure of the spirit. Usually before he left he asked to meet with the organizing committee to thank.
In view of art is like a 'play around' with spirit, then it takes a handler in charge of guarding the comings and goings of spirits.
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