Jatilan is an art that brings together the elements of dance movements with magic. Type of art is played with a horse property replica, made of woven bamboo or braid. Art is also often called by the name of this braid horse can be found in the regions of Java.
About the origins or beginnings of arts jatilan, there is no historical record that can be explained in detail, only the verbal stories that develop from one another kegenerasi generation. In this case, there are several versions about the origin or the beginning of this jatilan art, include the following. That said, this jatilan who use the property in the form of a horse made of bamboo imitation is a form of appreciation and support of the commoners against cavalry Diponegoro in the face of the Dutch colonizers. In addition, there is another version that says, that describes the story of the struggle Raden jatilan Broken, assisted by Sunan Kalijaga, against the Dutch colonialists. The other version says that this dance tells the story of war who led forces Mataram Sultan lane I, king of Mataram for Playing the Dutch troops.
This art show began with a dance by the dancers who moves very slowly but then gerakanya is slowly becoming a very dynamic following the gamelan sound being played. Gamelan to accompany jatilan is quite simple, consisting only of drums, drum, kenong, gongs, and trumpet, the flute to sound shrill. The songs are sung in the accompanying dance, usually containing the appeal that humans are always doing good deeds and always remember the Great Creator, but some are singing other songs. After so long, the dancers are possessed by spirits that it's almost not aware of what they do, they make movements are very dynamic follow rancaknya gamelan sounds are played.
In addition to the dancers and gamelan players, in the performance jatilan there must be a spirit charmer is one who can "control" spirits which permeate the dancers. The handler in this jatilan every show was the most important because it acts as a controller at the same time regulator of smooth performance and ensure the safety of his players. Another task of the handler is aware of or remove the spirit who possessed dancer if thats enough time or the spirit that possessed her had become difficult to control.
In addition to performing movements that are highly dynamic following the sound of gamelan accompaniment, the dancers also perform dangerous attractions that can not be illogical by common sense. Among them is they can easily take sharp objects like razor blades, broken glass, cutting his arm with a machete even light without getting hurt or feel pain. This attraction is believed to reflect a supernatural power that the ancient kingdom grow in areas of Java, and is a non-military aspects that are used to fight the Dutch troops.
Besides containing the elements of entertainment and religion, traditional art jatilan often also contain elements of the ritual because before the show begins, usually a handler or a shaman perform a ritual that essentially apply for permission at the master site, which are generally in the open so as not to disturb the course of events and for the sake of safety the dancers.
This show like the other arts performances that generally have a storyline. So normally this jatilan bring a story told in the form of dance. Nowadays not many people who see the performing arts from the grip side of the art form but rather in terms of entertainment, which they see and the more they enjoy is the part where the players of this jathilan like trance and perform dangerous attractions. So people see Jathilan as a show where the player possessed. Not as a show that wanted to tell you about a story.
Arts jatilan which was performed at traditional ceremonies Mbah gaseous begins with art-warokan warok, a form of art, entitled Suminten Edan ". The play tells the story of Suromenggolo who had a son named Cempluk. Suromenggolo has a brother named seperguruan Surobangsat. Surobangsat and Suromenggolo has not been met, so he visited Suromenggolo. Surobangsat had children named Gentho. Surobangsat intends to match Gentho with cempluk. However Suromenggolo disagree. Then there was the fight between the two. Surobangsat lost after Suromenggolo aji-aji ultimate issue in the form of shorts.
After the show warok-warokan completed, followed by dance performances by the troops, amounting to ten people Buto dancer. This dance is a creation or the development of performance to further enliven jatilan jatilan performances and attracted the attention of citizens to witness. Dance movements are very dynamic and energetic, the simultaneous movements of the dancers made the audience spellbound.
Accessories worn by dancers, among others, anklet, bracelet, and a mask in the form Buto animals such as tigers, sheep, and lions. The movement is very fast and agile than the dancers made anklets they wore lead to a lively rhythm.
After the show finished Buto dance followed dance jatilan. Number of dancers jatilan there are ten people. Accessories that are used among other bracelet, anklet, armband, necklace (Kace), crown (skullcaps Bannerman), and kris. Meaning of used clothing and accessories that are mimics Asmarabangun Bannerman character, ie the son of the royal Jenggala Manik. In this jatilan performances there are also three keepers on duty to manage, maintain and guarantee the smooth performance, the handler, the handler is also tasked to sensitize the dancers are possessed.
In the show jatilan also provided some kind offerings include a tangkep plantains, snacks market in the form of traditional foods, namely cone Robyong Robyong cone decorated with cabbage, dawet, a wide range of flowers, incense and incense China, ingkung klubuk (live chickens ) are used as a means of summoning spirits and others.
Jatilan displayed in gaseous Mbah a ceremonial presentation of the Society of Arts See all Kuda Lumping. This community was founded around the year 1992. The dancers along with gamelan jatilan totaled approximately forty people. They practice every once a month in mid-month (usually on a Saturday night). The story presented is adopted from the classic Jatilan, namely the story of Krishna figures. While on-warokan warok besides featuring the story "Suminten Madness" also took the story from Chronicle-Javanese chronicle, among others, the war with the King Baka Buto.
About the origins or beginnings of arts jatilan, there is no historical record that can be explained in detail, only the verbal stories that develop from one another kegenerasi generation. In this case, there are several versions about the origin or the beginning of this jatilan art, include the following. That said, this jatilan who use the property in the form of a horse made of bamboo imitation is a form of appreciation and support of the commoners against cavalry Diponegoro in the face of the Dutch colonizers. In addition, there is another version that says, that describes the story of the struggle Raden jatilan Broken, assisted by Sunan Kalijaga, against the Dutch colonialists. The other version says that this dance tells the story of war who led forces Mataram Sultan lane I, king of Mataram for Playing the Dutch troops.
This art show began with a dance by the dancers who moves very slowly but then gerakanya is slowly becoming a very dynamic following the gamelan sound being played. Gamelan to accompany jatilan is quite simple, consisting only of drums, drum, kenong, gongs, and trumpet, the flute to sound shrill. The songs are sung in the accompanying dance, usually containing the appeal that humans are always doing good deeds and always remember the Great Creator, but some are singing other songs. After so long, the dancers are possessed by spirits that it's almost not aware of what they do, they make movements are very dynamic follow rancaknya gamelan sounds are played.
In addition to the dancers and gamelan players, in the performance jatilan there must be a spirit charmer is one who can "control" spirits which permeate the dancers. The handler in this jatilan every show was the most important because it acts as a controller at the same time regulator of smooth performance and ensure the safety of his players. Another task of the handler is aware of or remove the spirit who possessed dancer if thats enough time or the spirit that possessed her had become difficult to control.
In addition to performing movements that are highly dynamic following the sound of gamelan accompaniment, the dancers also perform dangerous attractions that can not be illogical by common sense. Among them is they can easily take sharp objects like razor blades, broken glass, cutting his arm with a machete even light without getting hurt or feel pain. This attraction is believed to reflect a supernatural power that the ancient kingdom grow in areas of Java, and is a non-military aspects that are used to fight the Dutch troops.
Besides containing the elements of entertainment and religion, traditional art jatilan often also contain elements of the ritual because before the show begins, usually a handler or a shaman perform a ritual that essentially apply for permission at the master site, which are generally in the open so as not to disturb the course of events and for the sake of safety the dancers.
This show like the other arts performances that generally have a storyline. So normally this jatilan bring a story told in the form of dance. Nowadays not many people who see the performing arts from the grip side of the art form but rather in terms of entertainment, which they see and the more they enjoy is the part where the players of this jathilan like trance and perform dangerous attractions. So people see Jathilan as a show where the player possessed. Not as a show that wanted to tell you about a story.
Arts jatilan which was performed at traditional ceremonies Mbah gaseous begins with art-warokan warok, a form of art, entitled Suminten Edan ". The play tells the story of Suromenggolo who had a son named Cempluk. Suromenggolo has a brother named seperguruan Surobangsat. Surobangsat and Suromenggolo has not been met, so he visited Suromenggolo. Surobangsat had children named Gentho. Surobangsat intends to match Gentho with cempluk. However Suromenggolo disagree. Then there was the fight between the two. Surobangsat lost after Suromenggolo aji-aji ultimate issue in the form of shorts.
After the show warok-warokan completed, followed by dance performances by the troops, amounting to ten people Buto dancer. This dance is a creation or the development of performance to further enliven jatilan jatilan performances and attracted the attention of citizens to witness. Dance movements are very dynamic and energetic, the simultaneous movements of the dancers made the audience spellbound.
Accessories worn by dancers, among others, anklet, bracelet, and a mask in the form Buto animals such as tigers, sheep, and lions. The movement is very fast and agile than the dancers made anklets they wore lead to a lively rhythm.
After the show finished Buto dance followed dance jatilan. Number of dancers jatilan there are ten people. Accessories that are used among other bracelet, anklet, armband, necklace (Kace), crown (skullcaps Bannerman), and kris. Meaning of used clothing and accessories that are mimics Asmarabangun Bannerman character, ie the son of the royal Jenggala Manik. In this jatilan performances there are also three keepers on duty to manage, maintain and guarantee the smooth performance, the handler, the handler is also tasked to sensitize the dancers are possessed.
In the show jatilan also provided some kind offerings include a tangkep plantains, snacks market in the form of traditional foods, namely cone Robyong Robyong cone decorated with cabbage, dawet, a wide range of flowers, incense and incense China, ingkung klubuk (live chickens ) are used as a means of summoning spirits and others.
Jatilan displayed in gaseous Mbah a ceremonial presentation of the Society of Arts See all Kuda Lumping. This community was founded around the year 1992. The dancers along with gamelan jatilan totaled approximately forty people. They practice every once a month in mid-month (usually on a Saturday night). The story presented is adopted from the classic Jatilan, namely the story of Krishna figures. While on-warokan warok besides featuring the story "Suminten Madness" also took the story from Chronicle-Javanese chronicle, among others, the war with the King Baka Buto.
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